Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, June 14, 2011

visual thinking!

Some images for you today from my tumblr: Seed Capsules which is a place I store things I wish to take in again.... its a wonderful archive that is pieced together by the hearts and minds of many as they share what they like and on it goes!



cinoh:

www.susannabauer.com

Also by this artist...


Nature Trail
commission for The Scarlet Hotel, Mawgnan Porth, Cornwall
(three framed collections of assorted leafworks and driftwood pieces, 70 x 40 x 6 cm each, for individual objects see gallery pages)







binnorie:

By Elfi Cella. 
fullbloom:

how to make a baby elephant float




These 2 works by Elfi Cella found via tumblr:  binnorie






Happiness

I have been taught never to brag but now
I cannot help it: I keep
a beautiful garden, all abundance,
indiscriminate, pulling itself
from the stubborn earth. Does it offend you
to watch me working in it,
touching my hands to the greening tips or
tearing the yellow stalks back, so wild
the living and the dead both
snap off in my hands?
The neighbor with his stuttering
fingers, the neighbor with his broken
love: each comes up my drive
to receive his pitying,
accustomed consolations, watches me
work in silence a while, rises in anger,
walks back. Does it offend them to watch me
not mourning with them but working
fitfully, fruitlessly, working
the way the bees work, which is to say
by instinct alone, which looks
like pleasure? I can stand for hours among
the sweet narcissus, silent as a point of bone.
I can wait longer than sadness. I can wait longer
than your grief. It is such a small thing
to be proud of, this garden. Today
there were scrub jays, quail,
a woodpecker knocking at the white
and black shapes of trees, and someone's lost rabbit
scratching under the barberry: Is it
indiscriminate? Should it shrink back, wither,
and expurgate? Should I, too, not be loved?
It is only a little time, a little space.
Why not watch the grasses take up their colors in a rush
like a stream of kerosene being lit?
If I could not have made this garden beautiful
I wouldn't understand your suffering,
nor care for each the same, inflamed way.
I would have to stay only like the bees,
beyond consciousness, beyond self-
reproach, fingers dug down hard
into stone, growing nothing.
There is no end to ego,
with its museum of disappointments.
I want to take my neighbors into the garden
and show them: Here is consolation.
Here is your pity. Look how much seed it drops
around the sparrows as they fight.
It lives despite their misery.
It glows each evening with a violent light.

PAISLEY REKDAL
The Kenyon Review 
Winter 2011








wonderfulambiguity:

Leonardo da Vinci, Fruit and Vegetables, 1487-1489

wonderfulambiguity:  Leonardo da Vinci, Fruit and Vegetables, 1487-1489



mespetitesmiscellanees:

http://www.bloom-magazine.eu/librairie/bloom20/files/page3-1084-full.html






firsthome:

that is the best idea i have ever seen for reusing toilet paper rolls!  and it is the perfect time of year.  i’m going to start some seeds in a toilet paper roll sometime this week!

that is the best idea i have ever seen for reusing toilet paper rolls!  and it is the perfect time of year.  i’m going to start some seeds in a toilet paper roll sometime this week!




(via unnaturalist, plague-songs)







journalofanobody:

Paul Klee, Remembrance of a Garden, 1914
“Art does not reproduce the visible; it makes visible.” — Paul Klee

journalofanobody:   Paul Klee, Remembrance of a Garden, 1914
“Art does not reproduce the visible; it makes visible.”  — Paul Klee



Friday, November 12, 2010

Unruly ecologies: Biodiversity and art

Taking place in Perth, November 26 to 28 - A Symposium on Biodiverisity and Art.

NB: just noticed 25.1.2013... the images are no longer available here. 

unruly ecologies: biodiversity and art

Last week I was contacted by Perdita Phillips from the University of Western Australia's research centre:

SymbioticA - Centre of Excellence in Biological Arts


SymbioticA is an artistic laboratory dedicated to the research, learning, critique and hands-on engagement with the life sciences. 


Under the direction of Oron Catts, SymbioticA’s emphasis is on experiential practice. SymbioticA facilitates a thriving program of residenciesresearchacademic courses,exhibitionssymposiumsseminars and workshops. Researchers and students from all disciplines work on individual projects or in interdisciplinary teams to explore the shifting relations and perceptions of life.

As a research centre within the School of Anatomy and Human Biology at The University of Western Australia, SymbioticA enables direct and visceral engagement with scientific techniques. Crossing the disciplines of art and the life sciences, SymbioticA encourages better understanding and articulation of cultural ideas around scientific knowledge and informed critique of the ethical and cultural issues of life manipulation.  
SymbioticA is a recipient of the inaugural Golden Nica in Hybrid Arts at Prix Ars Electronica.











Perdita Phillips wrote that she was
 
         "putting together an online survey of art relating to biodiversity in preparation for a symposium Unruly ecologies: biodiversity and art that will be happening 26-28  November this year in Perth (see http://symbiotica-adaptation.com/?page_id=197 for details).  I would like to include your work in our online survey of artworks (here http://symbiotica-adaptation.com/?cat=4). Your seed works are great examples of the blending of art and science."

I have been reading about Western Australia quite a bit this year, given the region south of Perth is one of the Biodiversity hotspots in the world. I have referred often to a book called 'Australian Seeds' which is focused on species from Western Australia. 

For anyone interested in  visiting the Biodiversity Art online showcase click here. There are 31 entries on broad ranging themes and approaches on this site to date. Im very sorry to not be free to attend the symposium at the end of November but will look forward to reading more on the speakers and topics through this website.

Artwork and text provided for inclusion on the showcase:




SOPHIE MUNNS: HOMAGE TO THE SEED
Homage to the Seed is the title of a year-long project conducted at Brisbane Botanic Gardens as 2010 Artist-in-Residence. This project was born of a collaboration with the on-site ‘Seeds for Life’ Seed Lab (set up by Kew Garden’s Millennium Seed Bank Project) with the underlying objective of spurring on public awareness  of the critical role of seeds and the human impact on global plant heritage. The seed lab was central to the project – a site of research, crucial dialogue with staff and volunteers, journal and weblog documentation.
Sophie Munns: Homage to the Seed project





To bring this somewhat obscure work to the public’s eye a strong accent on relational aesthetics practice was facilitated through a series of events which supported the key undertaking ‘to champion the seed’ to audiences unfamiliar with the extraordinary diversity and particular vulnerabilities of the world’s seed heritage . In electing to pursue this multi-layered approach to the ‘dispersal’ of information the material provided covered all bases… from simple to complex …encouraging both casual and formal engagement.  The weblog further boosted public engagement by traversing a broad spectrum of ideas around seeds, people, conservation, biodiversity, science and art.
The fact that the project coincided with the 2010 UN International Year of Biodiversity was an added catalyst which has drawn a new audience to consider our region’s plant biodiversity, local indigenous plants, and the vital relationships between the population, economy, land and plants.  Whilst researching the abundant species of Queensland rainforest fruits early this year the journal sketches and notations of cross-sections of the fruit’s seed capsules became the visual means for the artist to represent this manifest regional plant variation. Simultaneously literal and symbolic, they seemingly refer to ancient and perrennial symbolic languages across culture and time, yet allow for a contemporary imagining on biological diversity. This deliberation on biodiversity through time – past, present and future – and humanities’ place in all of that is the concern of the artist in this year of the Homage to the Seed residency.
Sophie Munns has been dedicated to the visual arts for over 3 decades — maintaining a professional art practice, working as a teacher and facilitator, and managing an arts related business.
Homage to the Seed Blog:  sophiemunns2010.blogspot.com
Website: sophiemunns.weebly.com

Tuesday, November 9, 2010

slow circles of nature....


"Everything that slows us down and forces patience, everything that sets us back into the slow circles of nature, is a help. Gardening is an instrument of grace."


May Sarton

This quote was found at: Art Propelled Tumblr which is well worth a visit. Image below was also found at that site.


Botanical Notes by Tor Archer
Botanical notes by Tor Archer



Page from the Book of Broken Branches by Patti Roberts-Pizzuto
http://missouribendstudio.blogspot.com/2010/10/sticks-and-stillness.html
page from the Book of Broken Branches by Patti Roberts Pizzuto
also found at Art Propelled


Stunning image by Olaf Hajek
Olak Hajek



kiktomo:

anyu:

craftstream:

halslife:

tinywhitedaisies:

scrumtrulescent:

(via lauraseymour, bagel)
found at Indigenous Dialogues

The image above can be traced to Lynn El/Una Odd at Flickr.



Leeks2 by Lynn_EL/UnaOdd
Chasmanthium latifolium by Lynn_EL/UnaOdd
 by Lynn_EL/UnaOdd
Sedum by Lynn_EL/UnaOdd
Epimedium by Lynn_EL/UnaOdd
 by Lynn_EL/UnaOdd
Horseshoe Pit cover by Lynn_EL/UnaOdd
Mirabilis jalapa seed by Lynn_EL/UnaOdd
Striped pumpkin skin by Lynn_EL/UnaOdd
Basket detail by Lynn_EL/UnaOdd
Euphorbia myrsinites by Lynn_EL/UnaOdd
Cabbage by Lynn_EL/UnaOdd
Viburnum by Lynn_EL/UnaOdd
Clematis seedhead by Lynn_EL/UnaOdd
Allium tuberosum by Lynn_EL/UnaOdd
Tricyrtis pods 2 by Lynn_EL/UnaOdd
Pinecones silver and red by Lynn_EL/UnaOdd
Rue pods and stitches by Lynn_EL/UnaOdd



















darksilenceinsuburbia:

Fractal Botanics by Karl Blossfeldt
Via
Karl Blossfeldt - Fractal Botanics

Sunday, October 31, 2010

more images from the studio...


Its been a very busy time of late and when I posted last week I left a note saying that there might not be much happening here for a bit. Tonight I found some photos I'd wanted to add to this blog... so I'm popping in briefly to post them . There are more to come.... soon!

Please email if you wish to get in touch... comments all come through my email as well... so it's very simple to make the connection. Also my website has a contact page.
thanks,
Sophie


in the studio recently after a collecting expedition in the gardens


tiny works from a month ago - seeds from Western Australia


iron oxide on muslin on board with seeds


seeds and pods waiting to be drawn


The amazing ball of fluff is a species that hails from africa. The pods were bursting open on the tree and the balls of what was rather like fairy floss were floating and landing nearby.  It was quite a sight... very itchy though! The rest are from Australia. NB the bowl has seeds woven around the edge... and contains quandong seeds. 



...in the studio... I keep all kinds of seeds in the cabinet on the left!


the wall hanging on the left was given to me by textile artist Nicki Laws who uses natural dyes made from botanical
material from around her property on the Darling Downs.


working with iron oxide pigment

Tuesday, October 12, 2010

a field of sunflower seeds...

Thanks to Priya of the lovely weblog The Plum Tree I am able to share this story from The Tate Modern's Turbine hall in London. She'd found an article published in London today about this extraordinary art show just opening.



this is one of Priya's wonderful seed pod drawings from her blog found here.

The story involves eminent Chinese artist Ai Weiwei pictured below...


ai weiwei sunflower seeds turbine hall
artist Ai Weiwei with his sunflower seeds

You will find a series of articles here on this artist at the UK's Guardian website which cover this artist's story over time - particularly the personal cost to him of speaking out about the Government of his country..

Read here:  


Ai Weiwei: 'I have to speak for people who are afraid'

This autumn, Ai Weiwei, China's most outspoken artist, will take over Tate Modern's Turbine Hall. He talks about how his art and politics are indistinguishable


NB click above on title to see more images.

 Turbine Hall update: A close-up photograph of some of the seeds
A close-up photograph of some of the seeds, each kiln-fired twice: once before being hand-painted, once again after. Each is unique

 Turbine Hall: Ai Weiwei
Ai Weiwei poses with a handful of seeds at a press view


 Turbine Hall: Aerial view of the 'Sunflower Seeds' in Turbine Hall
Sunflower seeds are an omnipresent Chinese snack, but also were a common food during the harsh years of the Cultural Revolution. Some may also think of sweatshop-powered globalisation
 Turbine Hall: 'Sunflower Seeds' at The Tate Modern
Tate Modern staff  lay out the seeds



'You can trudge over them, walk or skip or dance on these seeds, all of them Made in China. Or scoop up handfuls and let them run through your fingers, in the knowledge that someone, an old lady or a small-town teenager in Jingdezhen, has delicately picked up each one and anointed it with a small brush. Every seed is painted by hand. The town that once made porcelain for the imperial court has been saved from bankruptcy by making sunflower seeds.' 



Many thanks to Priya for sending this story to me at the Homage to the Seed blog!



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